I've also swapped B3s over to B7s and noticed a significant improvement in sustain, probably because there was so little downforce on the saddles it was dampening string vibrations. I've installed a couple with no problems, a couple that were just about ok with some fiddling, and a couple where I've measured up and told the owner forget it, let's do a B7. While the Casino uses the same Tune-o-matic style bridge as the ES-335 and several other Gibson models, the Casino uses a trapeze tailpiece instead of the 335s 'stopbar. A Bigsby vibrato is an option on both guitars. In practice, on 330s/Casinos sometimes a B3 works and sometimes it doesn't - it depends on the neck pitch of the individual guitar. Shop Epiphone Casino archtops: guaranteed low price, free shipping, free warranty, 0 financing, 8 back in rewards. Despite the assumptions people have made when they see the bigsby, I’m pleased to be able to say that it just. The finish is practically spotless, no dings, no imperfections, just a gorgeous guitar waiting for someone to love it. The reason is break angle, if there's not at least a little over the bridge a B3/B6 won't work for because a top mounted ABR style bridge is typically low to the body you're likely to run into problems. This is a fantastic example of a Korean made Casino, straight out of the peerless factory in 1996. When Gibson first introduced the 330 they offered it with a B3 rather than a B7 but switched to a B7 within 18 months or so, probably because they couldn't consistently get the B3 to work on them. The rule of thumb is if the bridge is raised up off the body on a wooden base, use a B3 or B6, if it's directly mounted onto the top use a B7.
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